A Good Man Goes to War
Jun. 20th, 2011 07:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I liked that.
I can see that it has many of the flaws of the RTD style finale. There is a lot of sound and thunder. It is, in places, rather more portentious than it can really carry. It's not clear that what has already been established about River Song on screen adequately supports what we get here but...
I loved the way we got a whole new set of people from the Doctor's past and how they all managed to establish themselves with a personality in a very packed 45 minutes. Obviously none of them have great depth, but not a single one was faceless and bland in the way that some of the characters from The Rebel Flesh/The Almost People managed to be with twice the time available. And they were fun which was important, otherwise the whole episode could have become too grim. I was very interested that Moffat here managed to push so many of the "returning character!" buttons while using new characters. Thinking of the Doctor's explicit rejection of a lengthy flashback sequence at the end of last season (where he's talking to Amy in her sleep) I think this demonstrates something of an agenda on Moffat's part not to become too trapped into referring backwards where he can introduce something new.
The same, of course, is true of the revelation of River's origins. Setting up and then satisfactorarily resolving a long running mystery in a television (or other) series is notoriously difficult (The X-files springs instantly to mind here). I felt this did pretty well. Obviously we don't yet have the full story of River's relationship to the Doctor but we know now why they're so close and why she seems to have super-powers (albeit ones she singularly failed to demonstrate in her first appearance) and all this has been done without the necessity of harking back to Who lore. I liked the fact that the resolution was actually set up after the mystery had been proposed. It shouldn't have worked but somehow it did!
I still don't much like River, to be honest, much preferring Amy and Rory (and I'm getting quite worried about poor Rory). Most of that is performance, I think, though I'm also not that keen on the way she's transformed from practicing archeologist to super-powered time baby con-woman. I thought this episode was good for both Amy and Rory. I said earlier in the season that I wished Amy showed a little more self-awareness and Rory a little more backbone and I felt the balance was pretty much perfect in A Good Man Goes to War. They were still recognisably the same characters but it was easier to see what was special about them and why they worked as a couple than it has been in some other stories.
The accusation that this "wasn't a story" can be levelled at this episode just as it was at The Doctor's Wife. This was all middle with no real beginning or end. I regret that, in a way, because I enjoyed it so much I would like to be able to watch it as a standalone but it's so tightly connected to everything around it, I don't think that is really possible. That's the price you have to pay, of course, for arc plots that are more tightly integrated into a season than a simple recurring word or motif. On the whole I think I can live with that.
This entry was originally posted at http://purplecat.dreamwidth.org/46117.html.
I can see that it has many of the flaws of the RTD style finale. There is a lot of sound and thunder. It is, in places, rather more portentious than it can really carry. It's not clear that what has already been established about River Song on screen adequately supports what we get here but...
I loved the way we got a whole new set of people from the Doctor's past and how they all managed to establish themselves with a personality in a very packed 45 minutes. Obviously none of them have great depth, but not a single one was faceless and bland in the way that some of the characters from The Rebel Flesh/The Almost People managed to be with twice the time available. And they were fun which was important, otherwise the whole episode could have become too grim. I was very interested that Moffat here managed to push so many of the "returning character!" buttons while using new characters. Thinking of the Doctor's explicit rejection of a lengthy flashback sequence at the end of last season (where he's talking to Amy in her sleep) I think this demonstrates something of an agenda on Moffat's part not to become too trapped into referring backwards where he can introduce something new.
The same, of course, is true of the revelation of River's origins. Setting up and then satisfactorarily resolving a long running mystery in a television (or other) series is notoriously difficult (The X-files springs instantly to mind here). I felt this did pretty well. Obviously we don't yet have the full story of River's relationship to the Doctor but we know now why they're so close and why she seems to have super-powers (albeit ones she singularly failed to demonstrate in her first appearance) and all this has been done without the necessity of harking back to Who lore. I liked the fact that the resolution was actually set up after the mystery had been proposed. It shouldn't have worked but somehow it did!
I still don't much like River, to be honest, much preferring Amy and Rory (and I'm getting quite worried about poor Rory). Most of that is performance, I think, though I'm also not that keen on the way she's transformed from practicing archeologist to super-powered time baby con-woman. I thought this episode was good for both Amy and Rory. I said earlier in the season that I wished Amy showed a little more self-awareness and Rory a little more backbone and I felt the balance was pretty much perfect in A Good Man Goes to War. They were still recognisably the same characters but it was easier to see what was special about them and why they worked as a couple than it has been in some other stories.
The accusation that this "wasn't a story" can be levelled at this episode just as it was at The Doctor's Wife. This was all middle with no real beginning or end. I regret that, in a way, because I enjoyed it so much I would like to be able to watch it as a standalone but it's so tightly connected to everything around it, I don't think that is really possible. That's the price you have to pay, of course, for arc plots that are more tightly integrated into a season than a simple recurring word or motif. On the whole I think I can live with that.
This entry was originally posted at http://purplecat.dreamwidth.org/46117.html.
(no subject)
Date: 2011-06-20 07:37 pm (UTC)Otherwise I generally liked 'A Good Man Goes to War' too; the Doctor's 'fall' is seeded throughout, and I'm interested to see how themes and characters are developed in the setting of 'Let's Kill Hitler'.
(no subject)
Date: 2011-06-21 08:02 am (UTC)(no subject)
Date: 2011-06-20 07:50 pm (UTC)I'm convinced that this whole arc is about identity, and this fits that theme very well. It is also about time the Doctor was called on Tenish behaviour, which is also part of Moffat's re-imagining of New Who.
(no subject)
Date: 2011-06-21 08:08 am (UTC)I'm not sure I necessarily buy that, but it's an interesting take on what we see and makes River's presentation appear more logical across the stories.
I think you are right about the theme of the season.
(no subject)
Date: 2011-06-21 09:42 am (UTC)I'm not sure that Moffat hasn't already punctured the "lonely God" and the "oncoming storm" good and proper in this episode. I hope so.
(Edited for various typing fails.)
(no subject)
Date: 2011-06-21 09:58 am (UTC)(no subject)
Date: 2011-06-20 07:53 pm (UTC)And honestly I'd find it hard to be disappointed in any episode that starts with Rory BAMF :D (Would you like me to repeat the question?)
I want a spin off about our Victorian crime busting Silurian and her human companion :D
Date: 2011-06-20 09:06 pm (UTC)(no subject)
Date: 2011-06-21 08:11 am (UTC)Lots of people want the spin-off. There's a comm
(no subject)
Date: 2011-06-20 08:19 pm (UTC)Oh, the story was good, the Doctor was great, Amy was great, River was great, the supporting characters were both fun and tragic when necessary. But right from the line, 'Would you like me to repeat the question?', for me this ep belonged to Rory.
Which is only going to make it more horrible if (as seems ever more likely) Rory is the 'good man' that River spoke of :-(
(no subject)
Date: 2011-06-21 08:13 am (UTC)