Breakfast at Tiffany's
Aug. 21st, 2010 04:05 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Breakfast at Tiffany's by Truman Capote is one of those stories that reminds you that, perhaps, not as much has changed in the past seventy years as you might think. It chronicles the friendship of a nameless aspiring author with Holly Golightly, a vivacious society girl who lives below him in a brownstone apartment in New York. It is supremely non-judgemental about Holly's promiscuity, despite being set in the middle of World War 2 and it doesn't appear to expect its readers to be particularly shocked or outraged by her. That said, I think you are expected to experience a kind of vicarious thrill at her lifestyle, but I suspect that is as true now as it was then.
As a character, and the story is primarily a character study, Holly Golightly is a little frustrating. Her behaviour is often very child-like, indeed that is presented as part of her attraction, but in the end the kind of faux-naivety of her attitudes seemed a little too idealised. Maybe that is the point. Her past is revealed to have been one of great poverty, marrying a Texan farmer at the age of fourteen in order to secure a home for herself and her brother. Many of the men, certainly the narrator, who surround her are, in part, attracted by her very childishness. Come to think of it, that makes the story more than a little creepy.
I enjoyed the story a lot and was interested to see what happened to Holly. But she is supposed to be fascinating and frustrating in, I think, a moth to the candle flame kind of way and I'm not sure I ever entirely bought into how particularly compelling she was to those around her. I certainly never quite believed in the extent to which certain people became intensely loyal to her.
My version of the story packages it up with three others by Capote, House of Flowers, A Diamond Guitar and A Christmas Memory. I can see why Breakfast at Tiffany's is better known that these other three. It's setting is more immediately identifiable and we observe the child-like Holly Golightly from the outside viewpoint of her upstairs neighbour. In the other three stories the viewpoint character has a slightly side-stepped view of the world, like Holly Golightly does, and that makes it harder to engage with the story.
I have a very vague memory of watching the film of Breakfast at Tiffany's at some point. My chief memory is of how incongruous it was to see Hannibal from the A-team acting opposite Audrey Hepburn. I've read a synopsis on on Wikipedia which suggests it is actually remarkably faithful to the book, although adding more of an idealised veneer to the almost romance between Holly and the book's narrator, but I actually remembered nothing of the detail.
This entry was originally posted at http://purplecat.dreamwidth.org/16846.html.
As a character, and the story is primarily a character study, Holly Golightly is a little frustrating. Her behaviour is often very child-like, indeed that is presented as part of her attraction, but in the end the kind of faux-naivety of her attitudes seemed a little too idealised. Maybe that is the point. Her past is revealed to have been one of great poverty, marrying a Texan farmer at the age of fourteen in order to secure a home for herself and her brother. Many of the men, certainly the narrator, who surround her are, in part, attracted by her very childishness. Come to think of it, that makes the story more than a little creepy.
I enjoyed the story a lot and was interested to see what happened to Holly. But she is supposed to be fascinating and frustrating in, I think, a moth to the candle flame kind of way and I'm not sure I ever entirely bought into how particularly compelling she was to those around her. I certainly never quite believed in the extent to which certain people became intensely loyal to her.
My version of the story packages it up with three others by Capote, House of Flowers, A Diamond Guitar and A Christmas Memory. I can see why Breakfast at Tiffany's is better known that these other three. It's setting is more immediately identifiable and we observe the child-like Holly Golightly from the outside viewpoint of her upstairs neighbour. In the other three stories the viewpoint character has a slightly side-stepped view of the world, like Holly Golightly does, and that makes it harder to engage with the story.
I have a very vague memory of watching the film of Breakfast at Tiffany's at some point. My chief memory is of how incongruous it was to see Hannibal from the A-team acting opposite Audrey Hepburn. I've read a synopsis on on Wikipedia which suggests it is actually remarkably faithful to the book, although adding more of an idealised veneer to the almost romance between Holly and the book's narrator, but I actually remembered nothing of the detail.
This entry was originally posted at http://purplecat.dreamwidth.org/16846.html.
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