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purplecatI feel bad about not liking this pair of episodes more, because there was lots in the episodes that I really liked but, taken as a whole, I find myself a bit meh! about them.
I liked the look back to Genesis of the Daleks and, in particular, the re-examination of the Doctor's "could you then kill that child" speech taken from a different angle. I thought it was neat and clever. I'm not sure investing so hard and so specifically in one scene from classic Who was a wise choice for a season opener 40 years after the fact, but then I'm not any kind of an expert in how one appeals to the general Saturday night audience on BBC1. I liked the explicit framing of Clara as Apprentice/Familiar, emphasising the idea that she is far more like the Doctor (and probably by implication Missy) than previous NuWho companions have been, whose role has been to act as a check and balance. It's an interesting, and probably overdue, change to the Doctor/companion dynamic to have one who, if anything, needs to be restrained by the Doctor. I liked the whole theme of friends and enemies and how they relate to each other. All this was good.
I also loved all the other touches and homages, particularly to 1960s Dalek stories: the companion disguised as a Dalek; the set design; the multiplicity of Dalek designs on show. That said, a lot of 12th Doctor episodes have had a very washed out colour palette and this was true here. I'd like to have some more colourful Who back soon.
I would have liked to like Missy more and the interactions between Missy and Clara, but somehow it never quite hit the spot for me. They were kind-of fun and kind-of amusing but I don't find myself gushing about them the way I'm seeing a lot of people online. For me, the interactions somehow missed the mark. I didn't think Clara quite stood up for herself enough, quite challenged Missy enough, and I thought she was particularly ill-served at the end when all she can think to do is to mindlessly repeat "I am Clara" rather than finding some other way around the communication barrier. I can't quite put my finger on what bothered me about Missy, I liked both her obvious concern about the Doctor and her obvious anxiety about what the Daleks were up to, and the way that was contrasted with her genuine disregard for human (and, presumably other) life. I rate Gomez's Master more highly than both Ainley's and Simm's and I liked the step back from out-and-out madnesses they took here so I'm not sure why, ultimately, I feel it fell a little flat. One problem may have been that several times I found it hard to hear the dialogue. I had this problem in some of David Tennant's stories - the background music and sound effects are just loud enough that I can't actually make out what anyone is saying.
But mostly I think what rather killed it for me was that it was a bunch of fun moments and interesting themes and conversations in a big sea of not very much. As has been pointed out elsewhere, both Davros and the Doctor's plans are stupid and convoluted. The resolution is "gloop ex machina", and the ending comes close to suggesting that enemies are, really, enemies and any appearance otherwise is a sham, which somewhat undermines the rest of the episode.
I think I like a lot of the trappings and the themes of the story, but I wish he underlying nuts-and-bolts story-telling had been better.
I liked the look back to Genesis of the Daleks and, in particular, the re-examination of the Doctor's "could you then kill that child" speech taken from a different angle. I thought it was neat and clever. I'm not sure investing so hard and so specifically in one scene from classic Who was a wise choice for a season opener 40 years after the fact, but then I'm not any kind of an expert in how one appeals to the general Saturday night audience on BBC1. I liked the explicit framing of Clara as Apprentice/Familiar, emphasising the idea that she is far more like the Doctor (and probably by implication Missy) than previous NuWho companions have been, whose role has been to act as a check and balance. It's an interesting, and probably overdue, change to the Doctor/companion dynamic to have one who, if anything, needs to be restrained by the Doctor. I liked the whole theme of friends and enemies and how they relate to each other. All this was good.
I also loved all the other touches and homages, particularly to 1960s Dalek stories: the companion disguised as a Dalek; the set design; the multiplicity of Dalek designs on show. That said, a lot of 12th Doctor episodes have had a very washed out colour palette and this was true here. I'd like to have some more colourful Who back soon.
I would have liked to like Missy more and the interactions between Missy and Clara, but somehow it never quite hit the spot for me. They were kind-of fun and kind-of amusing but I don't find myself gushing about them the way I'm seeing a lot of people online. For me, the interactions somehow missed the mark. I didn't think Clara quite stood up for herself enough, quite challenged Missy enough, and I thought she was particularly ill-served at the end when all she can think to do is to mindlessly repeat "I am Clara" rather than finding some other way around the communication barrier. I can't quite put my finger on what bothered me about Missy, I liked both her obvious concern about the Doctor and her obvious anxiety about what the Daleks were up to, and the way that was contrasted with her genuine disregard for human (and, presumably other) life. I rate Gomez's Master more highly than both Ainley's and Simm's and I liked the step back from out-and-out madnesses they took here so I'm not sure why, ultimately, I feel it fell a little flat. One problem may have been that several times I found it hard to hear the dialogue. I had this problem in some of David Tennant's stories - the background music and sound effects are just loud enough that I can't actually make out what anyone is saying.
But mostly I think what rather killed it for me was that it was a bunch of fun moments and interesting themes and conversations in a big sea of not very much. As has been pointed out elsewhere, both Davros and the Doctor's plans are stupid and convoluted. The resolution is "gloop ex machina", and the ending comes close to suggesting that enemies are, really, enemies and any appearance otherwise is a sham, which somewhat undermines the rest of the episode.
I think I like a lot of the trappings and the themes of the story, but I wish he underlying nuts-and-bolts story-telling had been better.