NuWho Rewatch: Fires of Pompeii
Mar. 1st, 2015 08:15 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The Fires of the Pompeii was the story that definitively sold Donna to me. It came as a bit of a surprise to discover Tame Layman had no recollection of it at all and so was persuaded to watch it with us. I don't think it really converted him to Donna, but at least he didn't complain about her at all while it was on.
"The Father in my Latin textbook is called Caecillius" NLSS Child said almost immediately and then proceeded to be delighted by the appearance Metella and Quintus and puzzled by Evelina. Neither Tame Layman nor I had ever been exposed to the Cambridge Latin Course at school but I said I had heard that the characters were based on those in a school textbook. We then wondered if the textbook explained why the only son, and presumably second child, was called Quintus. All that said, I think NLSS Child was more delighted by the appearance of Peter Capaldi than she was by the fact he was playing a character from one of her textbooks.
The bit I loved, and still loved, is when the Doctor is faced with the choice between saving Pompeii and allowing the Pyroviles to invade. I suspect I like it quite so much since I read an awful lot of Virgin New Adventures in which the Doctor was forced to pick the lesser of two evils and is then berated about his choice by the companion (one way or another) so it was something of a pleasant surprise to see a companion, grasp the choice, and immediately back the Doctor up. I also liked the fact that, once the choice has been made, Donna refuses to allow the Doctor to wallow in his sense of guilt but insists that he continue to do as much as he can to help.
James Moran and Russel T. Davies have always been, not exactly coy, but certainly a little contradictory about who wrote how much of this. On several occasions they have both claimed that it is virtually all Davies' work give or take a line or two, but I note that wikipedia presents it as a close collaboration and attributes most of the jokes, as well as the inclusion of the family from the Cambridge Latin Course to Moran. It does feel different from a lot of Davies' output, and is more tightly plotted at the nuts and bolts level in which the Doctor must follow clues and deduce matters. On the other hand I've not really rated any of Moran's other work on either Torchwood or Primeval, so it doesn't seem particularly reminiscent of his style either.
I think this is my favourite episode of this season, and my favourite Donna episode over all. I think part of my fondness may derive from extrinsic factors (particularly over-exposure to the NAs dark seventh Doctor), but even putting that aside, I think this is a pretty well put together episode, that has clear central moment that is important to both the main characters as well as a surrounding plot that is rather better constructed than many of the plots in Davies' run... and, as mentioned above, Tame Layman at least forbore from complaining about Donna for the duration.
"The Father in my Latin textbook is called Caecillius" NLSS Child said almost immediately and then proceeded to be delighted by the appearance Metella and Quintus and puzzled by Evelina. Neither Tame Layman nor I had ever been exposed to the Cambridge Latin Course at school but I said I had heard that the characters were based on those in a school textbook. We then wondered if the textbook explained why the only son, and presumably second child, was called Quintus. All that said, I think NLSS Child was more delighted by the appearance of Peter Capaldi than she was by the fact he was playing a character from one of her textbooks.
The bit I loved, and still loved, is when the Doctor is faced with the choice between saving Pompeii and allowing the Pyroviles to invade. I suspect I like it quite so much since I read an awful lot of Virgin New Adventures in which the Doctor was forced to pick the lesser of two evils and is then berated about his choice by the companion (one way or another) so it was something of a pleasant surprise to see a companion, grasp the choice, and immediately back the Doctor up. I also liked the fact that, once the choice has been made, Donna refuses to allow the Doctor to wallow in his sense of guilt but insists that he continue to do as much as he can to help.
James Moran and Russel T. Davies have always been, not exactly coy, but certainly a little contradictory about who wrote how much of this. On several occasions they have both claimed that it is virtually all Davies' work give or take a line or two, but I note that wikipedia presents it as a close collaboration and attributes most of the jokes, as well as the inclusion of the family from the Cambridge Latin Course to Moran. It does feel different from a lot of Davies' output, and is more tightly plotted at the nuts and bolts level in which the Doctor must follow clues and deduce matters. On the other hand I've not really rated any of Moran's other work on either Torchwood or Primeval, so it doesn't seem particularly reminiscent of his style either.
I think this is my favourite episode of this season, and my favourite Donna episode over all. I think part of my fondness may derive from extrinsic factors (particularly over-exposure to the NAs dark seventh Doctor), but even putting that aside, I think this is a pretty well put together episode, that has clear central moment that is important to both the main characters as well as a surrounding plot that is rather better constructed than many of the plots in Davies' run... and, as mentioned above, Tame Layman at least forbore from complaining about Donna for the duration.
(no subject)
Date: 2015-03-01 11:55 pm (UTC)Caecilius in tablino, scribit.
(no subject)
Date: 2015-03-02 09:30 am (UTC)(no subject)
Date: 2015-03-02 02:57 am (UTC)(no subject)
Date: 2015-03-02 09:32 am (UTC)Obviously, this being pre-penecilin, there could easily be dead Primus through to Quartus, but I'd expect a textbook to be eager to make his name a teaching point in some way.
(no subject)
Date: 2015-03-04 10:03 am (UTC)(no subject)
Date: 2015-03-04 01:37 pm (UTC)(no subject)
Date: 2015-03-05 09:30 am (UTC)(no subject)
Date: 2015-03-02 03:42 pm (UTC)(no subject)
Date: 2015-03-04 10:02 am (UTC)(no subject)
Date: 2015-03-02 01:57 pm (UTC)This was the first episode of NuWho I watched in several years, after watching Aliens of London and hating all the fart jokes. Much to my surprise I loved Donna, a few weeks later a friend showed me Silence in the Library, and I've never looked back since.
(How can I no longer have a Who icon?)
(no subject)
Date: 2015-03-02 02:59 pm (UTC)How can I remember this? I did Latin for all of two years - not even to GCSE level, because the teacher left. o,s,t, mus, tis, nt, bam, bas, bat, bamus, bantis, bant, i, isti, it, imus, istis, erunt. Or something like that.
I seem to remember that after the eruption (ooh, spoilers), Quintus and Clemens move to Alexandria.
(no subject)
Date: 2015-03-02 03:30 pm (UTC)(no subject)
Date: 2015-03-03 11:24 am (UTC)(no subject)
Date: 2015-03-02 03:01 pm (UTC)(no subject)
Date: 2015-03-02 03:29 pm (UTC)(no subject)
Date: 2015-03-02 04:43 pm (UTC)I love Donna too, but I think her "comedy moments" though few often seem a bit forced and can fall a bit flat. I suspect a lot of the dislike she gets comes from that.
(no subject)
Date: 2015-03-02 02:22 pm (UTC)That said, she asked for the details... how many people would die at Pompeii, why couldn't the Pyrovilians just go home with all this technology available to them, what they planned to do. This all enabled the Doctor to realize that the decision was to save 20,000 people in Pompeii and have the world destroyed (and all the humans on it... including those he just saved) or set the volcano off, killing those 20,000 people, but saving the rest of the world.
Donna realized the choice and the gravity of having to make such a decision. Then the Doctor told her they likely would not survive their efforts to save the world. "Never mind us," and Donna understood the risks and was willing to give her life to do something important. When the Doctor hesitated, she didn't just use words to encourage him, she physically placed her hands over his and executed the plan right with him. She took on his burdens as hers. Supported him in his decision with action.
Then she made the case that, while the whole town couldn't be saved, perhaps they could save someone. So they did, and the Twelfth Doctor took on the form of the patriarch of the family they saved (my theory on "why this face?").
It took my husband a couple of days to realize exactly what Donna had done for the Doctor. He was too focused on their rapid banter and trying to understand their words instead of their deeds. He finally got it out of the blue ("OMG, I understand what Donna did for him!"), and it blew him away!
Since I never took Latin (French, instead), I wasn't familiar with those characters. It's an interesting use of them, though!
(no subject)
Date: 2015-03-02 04:46 pm (UTC)I'm interested to learn in the discussion above that in the textbooks only Quintus escapes Pompeii. I wonder if it was a deliberate fixit and the implication is supposed to be that the Doctor actually did change history.
(no subject)
Date: 2015-03-02 05:02 pm (UTC)There's always "a plan," but I've yet to see anything. Moffett seems to make big deals about things, then just leave them hanging or change them at will. His whole "Day of the Doctor" negated the decision the Doctor had to make in "End of Time." He so far has really left the idea that the Doctor was going to try to find Gallifrey behind. It was only mentioned once, at the end of the series when Missy gave him the supposed coordinates.
I would like to think it was in memory of Donna's time as his companion that he chose that face, but I suspect he will ignore that.
(no subject)
Date: 2015-03-03 11:26 am (UTC)(no subject)
Date: 2015-03-03 04:11 pm (UTC)(no subject)
Date: 2015-03-03 08:19 pm (UTC)