Some aspects of new who do remind me of a certain sort of fan fiction. In particular the kind where an emotional journey has been plotted out (e.g., X is underappreciated by Y - X saves Y - Y now appreciates X) but the underlying prosaic plot points needed to support it don't work (e.g., Y would not have been in danger if X had not been behaving like an idiot in the first place). My favourite example of this isn't actually, if must be said, from fanfic at all but from a direct-to-TV meteor-hits-american-city movie (and you may well feel that I was being over-optimistic expecting anything more from such a beast). The movie concludes with everyone congratulating the little boy for rescuing Grandad when a) Grandad was only in danger because he went back for said little boy, b) said little boy then wandered aimlessly around the ruins of the big city eventually falling down the meteor crater and having to be rescued by paramedics while c) a completely different set of people found and rescued Grandad.
New Who has taught me that I value and appreciate clever plotting a lot more than I had previously thought I did.
(no subject)
Date: 2007-05-08 09:25 am (UTC)New Who has taught me that I value and appreciate clever plotting a lot more than I had previously thought I did.