purplecat: The Tardis against the spiralling clock face effect of the Capaldi opening credits. (Doctor Who)
[personal profile] purplecat
I thought that I had seen Death to the Daleks but it didn't feel particularly familiar when we sat down to watch it. Well apart from the obvious familiarity of a Dalek story filmed in a sandpit in Kent, with an additional section in which someone tries to sacrifice Sarah.

In some ways it's an oddly disjoint story. The Daleks don't appear until the end of the first episode and are sidelined for much of the last. To be honest I think Terry Nation was more interested in the concept of the (somewhat ill-defined) anti-electricity planet, the empty city and the people who worship it, and the extent to which a bunch of humans thrown into this environment would cope. He has some fun with the idea of Daleks also adapting to this environment. Deliberately de-powering the Daleks and then showing them overcome this obstacle and still be extremely dangerous is a clever way to side-step the tendency for each Dalek story to need to up the stakes. It has been observed that Nation had a predilection towards survival stories in which man (mostly manly man) must overcome the environment and this definitely fits into that trend. However survival stories are actually a pretty good starting point for a Doctor Who story and beyond a certain humourlessness Nation's stories tend to be pretty watchable.

Since this is a Terry Nation story, there is a character called Tarrant. I was a little take aback when Tarrant turned out to be a woman, however.

The City of the Exxilons is a nice idea in concept, and is a good driver for the plot that takes place outside its walls, but it's internal puzzle-solving aspect is very poorly realised. Obviously portraying the idea that the city is a sequence of fiendish traps which no one in hundreds of years has successfully navigated, while at the same time making each trap or puzzle something that can be made readily understandable to the audience in under a minute is a big ask. But the ultimate effect is a feeling that the city's puzzles are frankly a bit rubbish. The money had probably run out by this point as well - the set design inside the city is noticeably inferior to that elsewhere. Even the Exxilon costumes (which teeter on the brink of failure) ultimately look good enough.

I want to like this story more than I do. It has some nice ideas, an at least moderately interesting cast of supporting characters, keeps events moving and is trying to do something novel with the Daleks. Somehow it all feels a bit by-the-numbers though. Possibly it is because of the familiarity of the sand pit, Sarah getting sacrificed, the running down tunnels and so on - all its interesting parts are very much slotted into the standard template of a Doctor Who story. Its a perfectly solid piece of second rank Doctor Who, but it had the potential to be something more yet never quite managed to gel and become more than the sum of its parts.

(no subject)

Date: 2017-03-31 07:52 pm (UTC)
londonkds: (Default)
From: [personal profile] londonkds
According to various sources, the Exxilon costumes were designed in the hope that it would be possible to make them appear to be radioactively luminous using retro-reflective material and special lighting, which worked in theory but turned out to be a complete failure both in the studio and on location.

(no subject)

Date: 2017-03-31 10:31 pm (UTC)
sir_guinglain: (Default)
From: [personal profile] sir_guinglain
I don't know if you have seen the new Vworp Vworp!, but it includes a short interview with Terry Nation's friend Graham Tarrant, after whom Nation kept naming characters...!

(no subject)

Date: 2017-03-31 11:18 pm (UTC)
From: [identity profile] philmophlegm.livejournal.com
"Since this is a Terry Nation story, there is a character called Tarrant."

Yeah, what's that about? It even extends to the 1970s Dalek Annuals plus three characters in B7 only two of whom are related. Does anyone know? Was it his mother's maiden name or something?

(no subject)

Date: 2017-04-01 12:50 pm (UTC)
From: [identity profile] louisedennis.livejournal.com
According to [livejournal.com profile] parrot_knight (in his DreamWidth persona), Terry Nation had a friend called Graham Tarrant after whom all these people are named. If you give him a chance I think [livejournal.com profile] parrot_knight will even sell you a copy of a recent high quality fanzine which contains an interview with the man ;)

(no subject)

Date: 2017-04-01 02:34 pm (UTC)
liadtbunny: (DW Jo and Dr Cute)
From: [personal profile] liadtbunny
A tunnel and a Tarrant! I had to laugh when Tara King had to go through a tunnel after running around the corridors of mansion in a Nation 'Avengers' story.

I found 'Death to the Daleks' OK with some nice bits but lacking something too.

(no subject)

Date: 2017-04-02 10:17 am (UTC)
From: [identity profile] louisedennis.livejournal.com
Yeah, it has all the right ingredients but somehow it feels hard to get really excited about it.

(no subject)

Date: 2017-04-02 12:20 pm (UTC)
From: [identity profile] daniel-saunders.livejournal.com
I think, like a lot of late Pertwee, there are some good ideas that aren't quite developed properly. The un-powered Daleks manage to find workarounds pretty quickly and the idea of the Doctor being forced into a morally-ambiguous alliance with the Daleks is raised and quickly dismissed. It's more or less OK to watch occasionally, though, as each episode does have about an episode's worth of stuff happening, even if it isn't particularly original stuff. The traps in the city are a bit rubbish, though, as you say.

(no subject)

Date: 2017-04-02 02:06 pm (UTC)
From: [identity profile] louisedennis.livejournal.com
I think you are on to something there - the interesting ideas are treated almost too incidentally. While Doctor Who needs to keep in mind the need to deliver action and thrills, that doesn't mean interesting ideas can't be explored at least a little.


purplecat: Hand Drawn picture of a Toy Cat (Default)

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